In The Wire 493, Claire Biddles reviews Trent Reznor and Atticus Ross’s score for Luca Guadagnino’s film of William S ...

To accompany his report on Pointless Geometry in The Wire 493, Daryl Worthington selects music from the back catalogue of the ...

The influential grime producer Terror Danjah (real name Rodney Pryce) has died. As a tribute, we have made his Invisible ...

In The Wire 493, George Rayner-Law argues that as interest in English folk song grows once again, practitioners, critics and listeners should consider carefully the ideological currents beneath the su ...

“DJ Spoony, one of the original pioneers of the UK garage scene,” read the email from London’s Barbican centre, “has joined ...

The 23 January edition of The Wire’s weekly broadcast on Resonance FM and Resonance Extra featured music by Mattie Barbier, Yves De Mey, Simon J Karis, Rojin Sharafi, Raed Yassin, Laura Agnusdei and ...

In 1998 producer Francis Falceto launched the invaluable Éthiopiques series on the French label Buda Musique, an effort that steadily introduced the music of modern Ethiopia – particularly figures ...

In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new currency in sonic self-help and healing experiences But the fact that ...

Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...

In the eyes of the West, Asia has historically been a Janus-faced entity – both the source of a Yellow Peril that threatens to take over Western civilisation and a land filled with exotic wonder.

In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident This is a piece that I never anticipated writing. Dictating from a ...